
GATTI – frazione of Castione Adevenno – Although I, still, have not found the fourth fresco of Ambrosione, I did find a mostly un-restored early 18th-century Wall Madonna in the small frazione of Gatti. And where I found her is more evidence that I am not likely to find the final Ambrosione. I say mostly un-restored because it seems to me that part of the Madonna’s neck has been redone – or more neck was painted in for missing hair? Her face sits too far forward and her neck is too broad. But I believe her face is original. It is too beautiful and well-done to have been touched. I am no expert though. You decide.

The tiny, mountain frazioni that survive with intact buildings have homes that are clustered together and connected – with arches and walkways leading to small doors that once hid small homes. It is maze-like walking among these stone homes with their ancient wooden doors.


Most homes fell into disrepair as life moved down the mountains into the valley. But there are working farms and vineyards on this side of the Valtellina and many of the houses are still lived in or are being renovated – perhaps by non-locals who crave the astonishing views and cool mountain air in the summer.Today in Gatti I found a strip of old homes – some with scaffolding in place for renovations. I walked the brief, narrow streets –searching for Wall Madonna’s that I knew would be within the interior lanes – if they existed at all. Fate smiled today and I found this one in pristine condition for its age – 1716. Looking closely one can clearly see that the artist had no small talent and I searched in vain for some hint of a ‘signature’. I made two montages so you can see the five figures in their original colors. The enthroned Madonna and Child are central. Two cherubs fly above to either side of Mary’s head. They both have pink wings. To Mary’s right is Sant’Ambrogio, in the foreground is the white-bearded Sant’Antonio Abate, and to Mary’s left is Santa Barbara. That is my best guess for the saints. I not sure of the female saint – or even if the figure is female actually – but I am pretty sure of the other two. If anyone has better insight I would welcome it. As is common in Lombardy – Jesus has bright red hair and Mary’s hair is a deep auburn. But – again – I am no expert and maybe that is just faded paint that once was brown. I hope you enjoy this fresco and the sentiment to which it harkens both in the past and today when devotion and belief are largely private and no longer displayed in such a bold and unabashed manner.



Some photos from my walk through Gatti!






